Silverchair

Sep 18, 1995 12:00am PT

(Whisky, West Hollywood; 395 capacity; $ 10)

• Production: Promoted by KROQ/Big Dummy Prod. Band: Daniel Johns, Chris Joannou, Ben Gillies. Reviewed Sept. 12, 1995. Australian band Silverchair is a chart-topping, record-setting trio whose unprecedented early success at home is due in part to the fact that these high schoolers play familiar-sounding songs and riffs without the usual angst bluster of the grunge set. That success is also starting to happen in a big way here in the States, where the band's Epic debut, "Frogstomp," has just entered the top 10 on the strength of the single "Tomorrow," a catchy number that sounds more like Pearl Jam than the band would care to admit.

Inside the oversold and sweaty Whisky, this band of 15- and 16-year-olds sent the equally young crowd into quick fits of hysteria with “Madman,” a thrashy instrumental number from the album.

Over the course of the hourlong show, the trio paid continual musical homage to the likes of Black Sabbath (“Leave Me Out”), Helmet, Alice in Chains (“Faultline”) and Soundgarden, but steered clear of the heavy lyrical messages or depressing tales that marks those bands’ work.

Singer Daniel Johns, almost the mirror-image of an adolescent Kurt Cobain, held the audience’s attention throughout with his charming blend of wide-eyed innocence and passionate, though derivative, vocal style.

Not surprisingly, Silverchair offers very little by way of originality or depth and, in concert, is quite sloppy. Those shortcomings, however, weren’t noticed by the underage audience that may not even be familiar with many of the groups that Silverchair borrows from.

By Troy J. Agusto

https://variety.com/1995/music/reviews/silverchair-1200442823/

Silverchair: The Kids Are Alright : Pop music review:

Teen band, known for its cuteness as well as its music, is surprisingly dynamic in person.

By LORRAINE ALI SEP. 14, 199512 AM SPECIAL TO THE TIMES

There’s no denying that Silverchair is the cutest band around. The three Australians, aged 15 and 16, have captured the hearts of even the most cynical pop fans with their little-kid looks and their sweet grunge hit “Tomorrow.” It’s almost enough to make you forgive the Pearl Jam feel that dominates their debut album, “Frogstomp.” Hey, they’re young--and besides, could you have pulled together a fairly cohesive album when you were 15?

But one thing you wouldn’t expect is for Silverchair, in all its cuteness, to blow you away live, to prove one of the most exciting live acts since alternative became a sales term rather than an aesthetic.

But that’s exactly what it did Tuesday at the Whisky. The band, which was greeted by the female sector of the audience with screams and whistles, launched into its songs with such power and focus that it put vaguely similar bands like Catherine Wheel, which has at least 10 years life experience on it, to shame.

The band, which was discovered in working-class Newcastle through a 1994 demo contest sponsored by an Australian radio station, has clearly outgrown an early Pearl Jam fixation, playing its songs with a hard-hitting and improvisational edge. Black Sabbath (a favorite of the members’ parents) seemed more at the root as Silverchair played fat riffs that rocked like a good Metallica song. Helmet and Nirvana strains could also be detected, but all the influences were used as a conduit rather than a confining mold.

Of all the singers who have tried to emulate Kurt Cobain, singer- guitarist Daniel Johns (who looks eerily like the late Nirvana frontman) displayed most strongly that soulfulness at the base of his crackling voice. He let the numbers rip, not really paying attention to what he would sound like but instead using his voice to convey myriad emotions--feelings, you sensed, that he may not even consciously realize are there.

Johns, bassist Chris Joannou and drummer Ben Gillies have also mastered the art of writing a good song--a rarity in alternative rock, where most bands seem to think that sounding like Sonic Youth is enough. Its numbers rang like teen anthems, as catchy and rebellious as Cheap Trick’s “Surrender” days, but as sonically booming as new bands like Helmet (minus the intensity).

The band inserted lots of improvisational interludes, alternating minimal and overpowering doses of feedback. Rather than coming off as obligatory noise, it complemented the songs with delicate and twisted dynamics.

Silverchair is one of the more exciting prospects to hit rock in a while. The band is teeming with potential, not to mention personality. The legions of Nirvana Jam bands out there should feel ashamed that a group of unassuming teen-agers has beaten them at their own game.

https://www.latimes.com/archives/la-xpm-1995-09-14-ca-45794-story.html